characterized by the critic Harold Bloom (in Agon, 1982) as a literary religion that did nothing less than express the mythology of America itself. Napoleon; or, the Man of the World is an insightful summary of the positive and negative traits of this thoroughly modern man whose virtues, Emerson suggests, are almost deleted by his faults, who proposed to himself simply a brilliant career, without any stipulation or scruple. In Circles he celebrates, rather than bemoans, the impermanence of things, ideas, arts, of what is prized, of people, of life itself, affirming the fluidity, volatility, and circular patterns in the world. There is a correspondence between spirit and nature that is reflected in the metaphorical language by which we describe the one in images derived from the other. The pungency, rhetorical power, and insightfulness of Emersons essays, as well as his affirmation of the constant fact of Life in the face of limitations, imperfections, and the vicissitudes of fate, show him to have been a sensitive, perceptive, and persuasive literary philosopher.
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Despite its sometimes murky metaphysical idealism, Nature clearly announced the emergence of a new voice in American literature. Essays such as Fate, Culture, Power, and the barbed Considerations by the Way serve to dispel the traditional, projected image of Emerson as sentimental, genteel, naive, starry-eyed, and excessively idealistic. In his portraits of various types of men in Representative Men (1850 Emerson alters his style religion diversity essay and approach to his material somewhat and, with the exception of a surprisingly weak depiction of Shakespeare, displays a talent for literary portraiture. The prose hymn to The Over-Soul in the first series of Essays is replaced in The Conduct of Life by a decidedly this-worldly emphasis. For the Greeks, for instance, he lists, and, then goes on to give some background reading in ancient history and art.
This is a collection of writings, addresses, essays, and reviews by, emerson.
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Emerson, volume I Nature, Addresses Lectures Nature: Introduction.
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